Digital Artefacts: painting in the age of information overload
A canvas is no longer enough. Meaning appears between images rather than inside them.
Huba works as a painter, but his paintings exceed their frame. Expanding into large-scale installations that incorporate digital imagery, he creates environments where images collide rather than resolve. His process mirrors the logic of digital media, where elements are selected, rearranged, and continuously redefined through a feedback loop of making.
Fragments of contemporary media—celebrity culture, political violence, and obscured networks of power—circulate without hierarchy or conclusion. Visibility equals existence, regardless of truth or context. Within this condition, images lose their stability and begin to shape perception itself.
By stretching painting into space, Huba exposes how images operate: not as neutral representations, but as active forces within systems of relations that construct contemporary narratives.
