Listening Through the Hands
His work with wood is a tactile conversation, an intimate exchange where the hand listens as much as it shapes. Through touch, he enters into a quiet dialogue with the material, sensing its memory, its resistance, its will. The wood is not passive but present, guiding his gestures with its grain, its scars, its subtle shifts. Each cut, each curve, emerges not from control but from care—a process where tools become extensions of the body, and making becomes a form of being. In this practice, he doesn't just craft objects; he cultivates a relationship, where the boundary between hand and material dissolves into a shared act of becoming.
