Concupiscentia and Future Archaeology
My art practice explores a multifaceted treatment of corporeality on both a material and psychological level, addressing existence, the state of being, and the process of becoming. Alternative views on the multiplicity of present realities and distant dreams of a disembodied future are expressed through humanoid physical forms—their dissolutions, analysis, and upgrading.
The conception of my works develops simultaneously across phases of current and emerging meta-physical environments, and their complementary and contradictory relations. The constraints and potentials of present and future timelines are translated into figurative sculptures: new embodiments existing in layers of decay and development, reflecting on the cyclical nature of time and bodily ephemerality.
Addressing both the inherent suffering of current existence and the salvific potentials in millennial futures, these figurative representations act as symbolic text for spiritual, scientific, and social processes. The new material being and the viewer spark tension between psychological, imaginary, and carnal experiences, reflected in the sensual and mechanical qualities of present and upcoming embodiments.
